"For zombie movies, 'Zombieland' is one of the better ones." – Movie Review.

Tweet By Sean Patrick Kernan

I don't like zombie movies. There is an inherent undercurrent of nihilism that runs through most zombie movies that I find unappealing. I may be a cynic but I could not live in a world without hope, the world of the zombie movie. I will admit that elements of Romero's use of subtext in his “Living Dead” movies are appealing. I will also admit to admiring Danny Boyle's skilled technique in “28 Days Later.” But, zombie movies remain for me an ugly, unwelcome chore to sit through.



Thus, I was not looking forward to the new zombie horror comedy “Zombieland.” Starring Woody Harrelson and Jesse Eisenberg, “Zombieland” deftly flips its tone from horror to comedy and somehow loses nothing in the transition. As much as I hate zombie movies, I must admit, I liked this one.

Columbus (Eisenberg) was not the most likely survivor of the zombie apocalypse. He's scrawny and skittish and carries a shotgun so big you may have a hard time believing he could fire it and remain standing. He has survived because his years of isolation, he was a videogame loving shut-in before the apocalypse, taught him to run from people even before they were trying to eat him.

He has a series of rules that have guided him as well. Rule 1: Cardio. He has trained like an Olympic sprinter so that he can stay ahead of the horde. Rule 2: Double Tap. Never just shoot a zombie, shoot it twice. The other rules make cameos throughout the film as computer added interstitials. The comic effect is strong and reminds one of Max Brooks's very funny book "The Zombie Survival Guide."

Columbus has traveled alone for a while but for the first time has begun to crave a little company. He's lucky enough to meet up with Tallahassee (Harrelson) who happens to be one of the best zombie killers in the country. He doesn't just run and hide from the zombie hordes, he runs at them guns blazing, bat swinging, hedge clippers... clipping.



The two form an unlikely alliance that grows to four when they happen upon Wichita and Little Rock (Emma Stone and Abigail Breslin). (The names correlate to the cities where everyone is from. You don't want to get too attached to someone you might have to shoot in the head). Wichita and Little Rock are headed to California where they are hoping rumors of a human enclave in an amusement park are for real.

Whether their hopes are well founded I will leave you to discover. “Zombieland” comes from first time feature director Ruben Fleischer and he shows stunning skill. Fleischer's directorial experience is limited to shorts and episodes of Jimmy Kimmel's talk show, yet he shows remarkable talent and control for such a relative novice.

Most impressive is how he balances the tone. The laughs in “Zombieland” come in buckets and so does the horror. “Zombieland” makes you fear the zombies but still has the energy and wit to make you laugh louder than you have at most any comedy of the last year. It's a balance that a number of veteran directors could not achieve.

Keep an eye out for what will no doubt be the best cameo in a long time. The actor involved is so unexpected and yet so very, very game for it all you will not be able to control the gales of laughter from this inspired bit of casting.

I still don't like zombie movies. This time however, because of a game cast and some surprisingly skilled direction, I can look past my issues with the genre and recommend “Zombieland.”

BYLINE:

Sean Patrick Kernan is a film critic. Check him out at: http://www.myspace.com/number1ramjamfan. Email Sean at sean@zoiksonline.com.

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